Miranda July writes and directs "The Future"

Miranda July's "The Future"/Courtesy of Roadside Attractions

Excerpted from the Los Feliz Ledger:

Opening today (August 5, 2011) at the ArcLight, Hollywood.
 
All romantic relationships evolve. When there’s a crisis, there’s also drama. Performance artist, author, blogger, screenwriter and director Miranda July’s second film "The Future" investigates one of those pivotal moments couple’s face: when the future seems pre-destined and mapped out. Her approach, mixing abstract and literal, with sci-fi elements and a very engaging talking cat that narrates throughout, results in an original film that’s hard to summarize but emotionally true.

Although some of the film’s pivotal scenes were filmed just south of Sunset on Parkman Avenue, July does not try to make the Silver Lake location or the city a character in the film. Rather, "The Future" stays internalized and focused on character. “I’m never a huge place person,” she said. “I can barely find my way around and I’ve been here for seven years,” said July, who lives in Silver Lake. She finds it telling that when the film’s location changes to Tarzana, “it could seem like another planet.  And that’s so L.A., and is so different.”

Inspiration for the film came from a sudden break-up and the utter devastation of being broken up with.  The desire to stop time was a feeling that July wanted to address. “While nothing in the movie is literally true, I was trying to capture the anxiety of those new feelings and the finiteness of time,” she said.

Perhaps the most fantastical element to the film is a talking cat named Paw Paw, whose predicament weaves the film together. Paw Paw is quite the memorable feline. Protected by her own enthusiasm, July felt pretty bold about her talking cat. “You can’t hide it or downplay it,” she surmises. “And now we have the cat in the trailer.”

The Kids are All Right gets Los Angeles' bohemian side just right

Shot in-and-around Los Angeles, director Lisa Cholodenko captures Silver Lake and Echo Park's boho aesthetic in "The Kids Are All Right." (With spot-on, smart and funny performances from Annette Bening and Julianne Moore, too!)   It's a very well art-directed version of reality with looks that seem torn from the pages of architect Barbara Bestor's Bohemian Modern: Living in Silver Lake. Pictured above is the Echo Park vintage-tinged dining room of Mark Ruffalo's character. Kudos to production designer Julie Berghoff for making his hillside home so believably lived in.

Who wouldn't want to stop in at the locavore restaurant--supplied via a bountiful community garden-- that Ruffalo's character owns? (Exteriors shot in Echo Park). There's a lovely, artfully-lighted outdoor patio, rustic wood panels and a cozy lounge/bar.  Imagine Forage's menu meets Malo's bar vibe set in the outdoor garden at Cliff's Edge, complete with a Santa Barbara County-made wine list.

Perhaps there will be a "Sideways"-like bump in sales for the Santa Barbara wines featured in the film including Alma Rosa and Fiddlehead Cellars' Pinot Noir.  The movie will be in theaters this Friday. If only the fictional restaurant would open soon too.