California Art Museum Calendar: Andy Warhol at SFMOMA through September 2, 2019

Andy Warhol From A to B And Back Again at SFMOMA

Andy Warhol (1928-1987) had a strong connection to California: it was in Los Angeles at La Cienega Boulevard’s Ferus Gallery that Warhol had his first solo show in 1962, the 32 painting series, Andy Warhol: Campbell’s Soup Cans.

Warhol’s art has returned to California, the major retrospective Andy Warhol From A to B and Back Again(organized by New York’s Whitney Museum of American Art) now occupies the fourth floor and several other galleries at the expanded San Francisco Museum of Modern Art (SFMOMA).  The exhibition spans Warhol’s lifetime of art making from his humble early roots as an ad illustrator to his now classic pop art phase to repetitive silkscreen portraits of celebrities to his large-scale oil paintings, made close to his untimely death.

Exhibition entrance at SFMOMA

While Warhol’s pop art Brillo boxes and Campbell soup cans may seem ubiquitous and his silk screen style often copied, the exhibition goes beyond his iconic images. Abstractions, skulls, his rarely seen body parts series and a1972 painted wall-sized portrait of Chairman Mao are special revelations. Warhol cannot be understood without his studio, know as the Factory. A short film chronicles Warhol at work with one assistant silk screening Silver Marlon, a portrait of Marlon Brando (taken from The Wild One film publicity still); in later years, he worked with dozens of assistants and few of the pieces presented are signed.

Exit through the Andy Warhol themed gift shop

 Andy Warhol From A to B and Back Again will be at SFMOMA through Sept. 2, 2019. 

Architectones at Neutra's VDL Research House

Architectones by Xavier Veilhan

VDL Research House

Excerpted from the Los Feliz Ledger:

French artist Xavier Veilhan’s site-specific sculptures are now on view at Neutra’s VDL Research House on Silver Lake Boulevard through Sunday Sept. 16th. Veilhan's intention was to trace Neutra’s life and times via abstract and figural sculptures. During the exhibition, water has been returned to the house for the first time in ages as both the front reflecting pool and rooftop pool have been refilled.

Richard Neutra profile on Silver Lake Blvd.

Veilhan’s detailed notes on his monochromatic sculptures inspired by the house and Neutra’s professional and personal life are here. Check out the site for an artist's look at the exhibition. The installation's mobiles and sculptures were conceived as a dialogue between art and architecture displayed in “the most important modern architectural private residence in America,” per Veilhan.

Visiting hours: Thursday/Friday 3-8pm and Saturday/Sunday 11am - 4pm.  Admission is $10. Guided tours of the house are only on Saturdays.

VDL Research House
2300 Silver Lake Blvd.
Los Angeles, CA 90039

Young Projects at PDC: Video art's home in L.A.

Courtesy of Young Projects

Excerpted from the Los Feliz Ledger:

Immanence: The Videos of Antoine Roegiers and Davide Quayola: Typologies, Strata and Nature at YoungProjects at the Pacific Design Center. Curator Paul Young features the video work of two European video artists. Belgium-born Antoine Roegiers references Gothic, Baroque and Renaissance painting traditions in his complex animated pieces. In his first West Coast show, London-based Davide Quayola presents a large scale environment for complete immersion in the project room.

Now through May 8th at:
YOUNGPROJECTS
@Pacific Design Center #B230 and #B210
8687 Melrose Ave
Los Angeles, CA 90069
 323-377-1102

The Project Room at Pasadena Museum of California Art: Nancy Baker Cahill

Pasadena Museum of California Art

From the March 2012 Los Feliz Ledger:

Nancy Baker Cahill’s artworks address the body and its inherent vulnerability. Fascinomas, her multimedia installation now on view in the Project Room at the Pasadena Museum of California Art (PMCA), was inspired, in part, by a look into an electron microscope at specimens kept at the Natural History Museum.

“Medical technology allows you to see things but not necessarily know things,” said Cahill, and that is at the heart of Fascinomas (medical terminology for an unusual case or diagnosis). Using computer animation and sound design, Cahill’s interactive installation flows between six of her paintings, projected through a large opaque scrim.


“I play with scale a little bit, so that your experience as a viewer, you are looking at something referring to something microscopic and yet you are dwarfed by it,” said Cahill. “I really wanted the viewer to be aware of their vulnerability and vulnerability of their own bodies,” she said. To create the paintings, she airbrushed pigment across objects varying from specimens of dried kelp to wire and then removed the debris leaving only telegraphed impressions. The now abstracted images are somewhat unsettling as they transition glacially from one image to the next. Fascinomas is at the Pasadena Museum of California Art, 490 E. Union St., Pasadena, now through May 20th.

Kenny Scharf's Kosmic Krylon Garage at PMCA

Hotel Lautner, Desert Hot Springs, Calif.: Renewed

Hotel Lautner, Desert Hot Springs, Calif.

Excerpted from the February 2012 Los Feliz Ledger:

Always a challenge, restoring a neglected older property is almost always also a labor of love. Furniture designer Ryan Trowbridge of Los Feliz and his partner interior designer Tracy Beckmann recently completed an extraordinary restoration and thoughtful renovation on a hillside street in Desert Hot Springs.

In 2008, the pair purchased the four-room, 1947-built hotel designed by architect John Lautner—of Silver Lake’s Silver Top.  Originally the hotel was to be at the gateway to a 600-acre development. In 1947, Lautner was fresh off his fellowship at Taliesin West under the tutelage of architect Frank Lloyd Wright. The hotel’s design echoes Taliesin’s primitive tents where light, the desert sky and the rugged environment are embraced.

Patio view, Hotel Lautner, Desert Hot Springs, Calif.

Constructed of redwood, glass, concrete and steel, the building’s steel framing cantilevers out, creating a wing-shaped overhang that shades each room. Although the rooms are compact in size, there’s an incredible feeling of expansiveness due to the 180-degree view through a glass wall.  Each room opens to a private patio and cactus garden.  Lautner was known for his sympathetic way of incorporating the natural world into his buildings.

Purchasing the property took some time due to its uniqueness and its location in a tract home neighborhood. When Trowbridge and Beckmann first saw it, the entire building—including all the redwood—was painted solid white. There have been some additions: bathrooms have been redone in Heath Ceramic tile, three units have restored kitchenettes, one has a full kitchen and furniture is now of-the-period vintage finds.

Among Beckmann’s projects is the hotel at the LA Athletic Club and Mas Malo restaurant downtown. Trowbridge, in addition to his furniture and light constructions, is a partner at Bar 107 in downtown Los Angeles.

Hotel Lautner is now open for overnight stays. 

Hotel Lautner
67710 San Antonio St.
Desert Hot Springs,  Calif. 92240
760-832-5288

Civic Virtue via the Los Angeles Municipal Art Gallery in Barnsdall Art Park

Frank Lloyd Wright's OG drawings for  Hollyhock House

Excerpted from January 2012's Los Feliz Ledger:

Before LACMA and MOCA, there was the Los Angeles Municipal Art Gallery (LAMAG) in Barnsdall Art Park.

Open now through Feb. 12th, the exhibition Civic Virtue: The Impact of the Los Angeles Municipal Art Gallery and the Watts Towers Arts Center is a retrospective of art culled from more than 80 years of exhibitions and outdoor festivals at the park. Funded by the Getty’s Pacific Standard Time initiative, the wide-ranging show chronicles an important aspect of the city’s cultural history and took two years to research and organize.

Pieces range from architectural plans for Hollyhock House from Frank Lloyd Wright’s studio to historical photographs of Olive Hill to work by contemporary artists like Llyn Foulkes and photographer Julius Shulman. Among the curiosities are works from actor Vincent Price’s art collection, an Andy Warhol short and graphics by Sister Mary Corita, who had the first woman’s solo show at the gallery.

Even for someone who has spent much time on the hill, the impressive breadth of past exhibitions and cultural activities that occurred in the park is a revelation. From the mid-1950s until 1969, 140 exhibitions were held in a temporary pavilion designed by Frank Lloyd Wright. That was demolished in 1969 when the current Municipal Art Gallery opened.  The LAMAG has always been city owned and run; it continues to exist in spite of recent funding issues and numerous controversies dating back to Aline Barnsdall’s days. The LAMAG is open Tues. – Sun. from 12- 5 p.m.

Los Angeles Municipal Art Gallery
4800 Hollywood Blvd., LA 90027
323/644-6269

Los Angeles: Take a local art break

James Franco at Art Platform LA

This holiday season find time to explore art in your neighborhood, as local support is what keeps the visual and performing arts viable.   

        

Galleries: Although numerous art galleries have closed or moved in Silver Lake, Los Feliz and Echo Park—Thinkspace to Culver City for one—many of those that still dot the neighborhood follow a hybrid model of artspace plus commerce. Give them some love this holiday season and give yourself a visual treat.

Sancho in Echo Park at 1549 W. Sunset Blvd.

Two new storefront galleries opened this year. Weekend (at 4634 Hollywood Blvd.) is an artist run gallery. Look for Jay Erker’s multi-media collages at photographs at This is So Much Better, which opens Dec. 2. Sancho, at 1549 W. Sunset in Echo Park, showcases new artists inside and new bands outside at its small backyard performance space.

Celebrating 25 years, a visit to Wacko's La Luz de Jesus Galley in Los Feliz is a step into the wild and imaginative work of talented illustrators, comic book artists and animators and well-known artists such as Shag and Gary Baseman.  Selected by owner/curator Billy Shire, there’s always a twist to every exhibition.

           

Subliminal Projects in Echo Park had a thrilling year of exhibits from Art, Access & Decay: NY 1975-1985 revisiting the highly original 1980s downtown New York art scene to the current show of painter and collagist Billy Al Bengston’s latest work (through Dec. 11).

Alias Books in Atwater features a single artwork show

Bloom at M&A on Silver Lake Blvd.

 

Materials & Applications (M&A): Since 2002, a Silver Lake Boulevard courtyard has been home to an art lab of inspiring architectural and sculptural installations. Bloom is M&A’s current installation—a 20-foot tall metal flower with solar petals that open and close in response to the sun’s heat. 

Stop by and watch the sculpture bloom.

Museums Link Up for Pacific Standard Time: Art in Los Angeles 1945-1980

Charles & Ray Eames @ LACMA

 [Excerpted from November 2011's Los Feliz Ledger]


A grand retrospective of post-war art to the 1980s—that also encompasses architecture, design, street and performance art and more—the Getty Foundation-sponsored Pacific Standard Time is well underway with dozens of exhibitions across town. As mixed media snapshots of an era, the exhibitions reflect differing emotions from sunny post-war optimism to the disaffection of the late 1970s punk rock era.

Take home a souvenir Barbie

At LACMA, California Design, 1930-1965: “Living in a Modern Way,” is a must see for fans and fanciers of mid-century modern design. The casual California way of life, where the gentle climate led to letting the outdoors in, impacted design and material culture.

There are some key contributions from Silver Lake residents such as furniture from both Richard Neutra and Rudolph Schindler. “Silver Lake was an incubator of ideas,” advises Bobbye Tigerman, the museum’s assistant curator of Decorative Arts and Design.

Interesting Silver Lake-made pieces include a prototype for a  “Camel” desk (so-called because legs could be altered) from the Neutra-designed VDL house and rarely seen Rudolph Schindler furniture, crafted for the un-built Shep house. So many works on display are very familiar, from the first-ever Barbie and Ken dolls to Heath Ceramic tableware to Eames chairs, demonstrating the lasting power of good design.

The Geffen Contemporary at MOCA hosts "Under the Big Black Sun" (named after an “X” album) that surveys California art from 1974-1981. Dark is the only way to describe the mood of the show, as the art explored reflects the tumult of the 1970s and the questioning of sexual identity and gender roles colored by disturbing geo-political events. Large screens click through historic snapshots—slideshows of chaos. Egyptian president Anwar Sadat’s assassination, the fall of Saigon, the Jonestown mass suicides are backdrop to work by Mike Kelly, Ed Ruscha and Robert Arneson’s famed but long-hidden ceramic portrait of San Francisco mayor George Moscone.

Archival pieces are added in for context including President Richard Nixon’s letter of resignation. In a far corner, a video loop from San Francisco’s Target Video showcases seminal punk bands of the era and artist Raymond Pettibon’s flyers for Black Flag form a colorful collage. [Extremely amusing to those who may have lived through that era.]

Happy camping: Ultra Light campers on Silver Lake Blvd.

Ultra Light campers

* Upadated 1/7/12: Daily Candy profiles Happier Camper too.

Driving along Silver Lake Blvd. you may notice two colorful campers parked in the auto repair shop that belong to Happier Camper's Derek Michael.  Available to rent or to buy (the orange one only) the fiberglass campers are made to be towed by a car (both weigh less than 1200 pounds).  Interiors are compact but the windows and solar-powered fan keep them airy.  Derek is super-enthusiastic about his travel trailers that he restored--he's driven them to Yosemite, Big Bear and to beach BBQs.  You can too!

Colorful Ultra Light campers

Derek shows off the solar-powered interior.

More information at happiercamper.com

Social smarts: Spacecraft’s nightlife designs

Back patio at Mohawk Bend

If you've been out in Hollywood in the last couple of years, then you’ve probably been inside a building remade by Spacecraft.  Founded by Kristofer Keith, the design/build firm is responsible for Hollywood spots like The Bowery, Kitchen 24, Stout and Boho, which recently moved to the third floor of Hollywood & Highland.

Excerpted from the September Los Feliz Ledger:

In August, Keith’s latest and most ambitious project opened: the 10,000 square foot Mohawk Bend in Echo Park. Owned by Los Feliz’s Tony Yanow and his wife Amy, the already wildly popular gastro pub features a crowd-pleasing menu with savory vegan and vegetarian specialties, and a changing selection of artisan cocktails from California spirits, craft beer--72 kinds--and wine on tap.

I beams frame Mohawk Bends' interior

Mohawk Bend now occupies a 100-year old brick building that once was the Estudio Theater—longtime locals may recall how it sat empty and decaying for 26 years. To use the building and meet current building codes, Keith essentially built a building within the vast space.  The exposed steel I beams framing the interior are not only a design element but meet a structural requirement.

Vintage beer signs at Mohawk Bend

Although there are retro touches, Yanow’s personal collection of vintage beer signs for instance, Keith purposefully avoided a fake nostalgic look. “I didn’t want something too slick either,” he explains. “So I went for something down the middle, an industrial but stylized direction,” he notes.  Custom built seating is made from plywood (also exposed); upholstery has a mid-century orange hue. The floors are concrete and the kitchen is open to view from the long polished concrete bar cast on site.

Dividing the back third of the vast room from the main bar and dining area is a 20’ high mosaic glass wall. The patterned glass wall also defines Mohawk Bend’s interior patio, lit by skylights and a concrete fireplace. The room’s exposed brick walls help create an urban, citified vibe. As Keith explains, he wanted the space to recall restaurants he’s visited in New York and Toronto that have taken over and enclosed a back alley.

Naya will emerge from Tantra space

Among Keith’s other commissions is an ongoing transformation of Tantra restaurant, also on Sunset Boulevard.  To be renamed Naya,  Keith is reconfiguring the Indian restaurant, creating an all white dining room and an adjacent lounge in regal colors. There will also be a back patio for dining.  As with all his projects, he stays away from theme-y type designs or a signature personal style that doesn’t necessarily translate to every assignment.  “I like to create a sense of place,” he confirms.

Mohawk Bend

2141 W. Sunset Blvd.

213/483-2337

Miranda July writes and directs "The Future"

Miranda July's "The Future"/Courtesy of Roadside Attractions

Excerpted from the Los Feliz Ledger:

Opening today (August 5, 2011) at the ArcLight, Hollywood.
 
All romantic relationships evolve. When there’s a crisis, there’s also drama. Performance artist, author, blogger, screenwriter and director Miranda July’s second film "The Future" investigates one of those pivotal moments couple’s face: when the future seems pre-destined and mapped out. Her approach, mixing abstract and literal, with sci-fi elements and a very engaging talking cat that narrates throughout, results in an original film that’s hard to summarize but emotionally true.

Although some of the film’s pivotal scenes were filmed just south of Sunset on Parkman Avenue, July does not try to make the Silver Lake location or the city a character in the film. Rather, "The Future" stays internalized and focused on character. “I’m never a huge place person,” she said. “I can barely find my way around and I’ve been here for seven years,” said July, who lives in Silver Lake. She finds it telling that when the film’s location changes to Tarzana, “it could seem like another planet.  And that’s so L.A., and is so different.”

Inspiration for the film came from a sudden break-up and the utter devastation of being broken up with.  The desire to stop time was a feeling that July wanted to address. “While nothing in the movie is literally true, I was trying to capture the anxiety of those new feelings and the finiteness of time,” she said.

Perhaps the most fantastical element to the film is a talking cat named Paw Paw, whose predicament weaves the film together. Paw Paw is quite the memorable feline. Protected by her own enthusiasm, July felt pretty bold about her talking cat. “You can’t hide it or downplay it,” she surmises. “And now we have the cat in the trailer.”

Tim Burton at LACMA

Tim Burton's site specific animated sculpture for LACMA

Edward Scissorhands costume by Colleen Atwood: magnificent in its details

Balloon Boy by Tim Burton at LACMA

Film fans, this one is for you. Tim Burton at LACMA is a not to be missed exhibition of 700 works (models, drawings, costumes and more) from film director Tim Burton.  Extraordinarily creative, Burton is one of the few directors who has maintained his singular visual style throughout his many films. Among the highlights are: Johnny Depp’s costume for Edward Scissorhands (which showcases the talents of costume designer Colleen Atwood), models from The Nightmare Before Christmas and storyboards for Burton’s upcoming film Frankenweenie. Now through Oct. 31^st. 

Art walking in Culver City

Pagoda by Zhang Huan at Blum & Poe

From the Los Feliz Ledger:

Culver City’s annual art walk (held in June this year) was a revelation. Not only was there a vibrant street scene and eclectic galleries, the art was inspiring. Thinkspace Gallery, which moved from Sunset Junction, is now there too and thriving in what has become L.A.’s contemporary art Mecca. On La Cienega’s Gallery Row you’ll find the city’s most renowned and impressive contemporary art space: Blum & Poe. Chinese artist Zhang Huan’s 49 Days exhibit (now through July 9^th) features monumental gray brick sculptures throughout the museum-sized gallery. His work Pagoda, which recalls a stylized Buddhist stupa, is a massive piece and centers around a taxidermied pig and occasionally emits smoke.

LeBasse Projects is presenting street artist Shark Toof’s first solo show: a series of dense and layered paintings that mix graffiti and animal portraiture. If you can’t make the trek to Culver City, the gallery recently opened an annex on Chun King Road in Chinatown.

LeBasse Projects Chinatown L.A. gallery

Gardens at the Huntington: a brief photo interlude

Japanese garden at the Huntington

 

Chinese garden at the Huntington

MOCA's Art in the Street rules

Banksy

Excerpted from the June Los Feliz Ledger: 

Street art fans: this show is for you.  From graffiti art’s origins to contemporary works by Shepard Fairey and Banksy and dozens of other artists, MOCA’s sprawling Art in the Streets appropriately spills outside the Geffen’s front door and even covers the museum’s wall facing Temple Street. Colorful, vibrant and loud—there are a guitar, drums and a wall of amps that can be played in one gallery—the exhibition is the first to organize these oftentimes outlaw artists’ works into a crowded, somewhat garish and very fun show.





The show is loosely laid out chronologically; there’s some historical information and a photo retrospective of New York’s subway cars covered in graffiti. New York’s Fun Gallery is reconstructed; a Jean-Michel Basquiat hangs in the window. The on-site MOCA store has been imaginatively re-decorated by Subliminal Projects’ Shepard Fairey. Unlike most major exhibitions, this one allows photography. So bring your camera. If you’re not a street art fan, this show may change your mind.

Art in the Streets now through August 8th, 2011 at the Geffen Contemporary.

David Edward Byrd: Creator of iconic pop culture images

Silver Lake artist David Edward Byrd and his iconic Godspell poster art

Excerpt from May 2011 Los Feliz Ledger:

Jimi Hendrix. Woodstock. The Fillmore East. The Who’s Tommy. Do you associate certain images with these rock-n-roll legends?  Illustrator David Edward Byrd is the man behind some of the most iconic album covers and poster art of the late 1960s and 1970s rock era.

A graduate of Carnegie Tech., Byrd got his start serendipitously: his friend worked for promoter Bill Graham who needed some posters made quickly for an upcoming show. And the rest is rock-n-roll history, as Byrd went on to design Jimi Hendrix’s poster art for his headlining show a the Fillmore East in 1968, posters for the Grateful Dead and the Grammy-award wining album cover art for The Who’s Tommy.

For the past 15 years, Byrd has lived in Silver Lake along with partner and mosaic artist Jolino Beserra. Their 1928 bungalow is a colorful pastiche of inlaid mosaics and hand-painted furniture. Stepping inside the house is like walking into a three-dimensional sculpture as mosaics cover many surfaces. “To me it’s important; art is your life, what you touch and see every day,” said Byrd. Also gracing the wall is Byrd’s original line drawing for the classic program cover art for the 1971 Broadway musical Godspell that depicts Jesus with cascading, intertwined locks.“I never felt I had a style, but everyone thinks I do,” said Byrd of his prolific career. “I let the job tell me how to do it.”
His other distinctive art deco-tinged images are found on posters and playbill cover art for original Broadway productions of Jesus Christ Superstar and Stephen Sondheim’s Follies and the poster art for the film Day of the Locust.

Byrd continues illustrating today and his once throwaway rock posters are highly collectible. Beginning June 11th, Glendale’s Brand Art Library Galleries will host a 40-year retrospective of Byrd’s work aptly entitled: The Byrd Show: 40 Years of Art & Design.

Silver Lake meadow opens

Official opening of Silver Lake Meadow  4/2/11

I went to my first community meeting about the Silver Lake Meadow in 1999. It seemed rather far-fetched at the time that one day there would be walking paths and the long-closed open space--home to coyotes-- would open to people.  Happy to be there on Saturday to see the day finally come. Council member Eric Garcetti gave a special shout-out to the tireless efforts of the Committee to Save Silver Lake Reservoirs, now renamed the Silver Lake Reservoirs Conservancy.

Think Georges Seraut: the meadow is dotted with people immediately.

Still to come is the completion of the walking path on Tesla Ave. Locals have already weighed in on the meadow. It's a hit. Sunday saw bocce ball and croquet players, loads of families and posts that the park might stay poop free.

Silver Lake Meadow rules: no dogs, bikes or vending.

 

The far side of the meadow, closest to the reservoir, is indeed a quiet place.

Neutra Architectural Practice @ 85 to be celebrated in Eagle Rock and Silver Lake

2440 Neutra Place. Photo by Don Higgins courtesy of Dion Neutra.

Lovell Health House, Los Feliz

Upcoming on April 10, 2011 is a rare chance to tour 10 buildings designed by architect Richard Neutra and his son Dion Netura in Los Angeles, including homes in Silver Lake along Neutra Place.  Los Feliz's Lovell Health House (a memorable location in "LA Confidential") will also be open to the public as well as the Neutra Architecture office on Glendale Blvd. The tour is one element of a busy weekend commemorating the 85th anniversary of the practice organized by the non-profit Neutra Institute for Survival Through Design.  Activities on Friday night and Saturday will be at the Eagle Rock Recreation Center Clubhouse, also designed by the firm.

Richard Neutra's VDL Research House II, Silver Lake

Saturday night there will be a reception at the VDL Research House II, which is now owned by the Cal Poly Pomona College of Environmental Design. The last time there was a public tour of many of these homes was in 2001.  Don't miss out on this chance to look inside these iconic modernist structures that helped establish Silver Lake's reputation as an architectural enclave.

Neutra Architectural Practice at 85 Weekend Celebration: April 8 - 10, 2011

Retro Banksy in honor of Oscar week: Banksy's 2006 Downtown L.A. show

Welcome to Banksy's September 2006 downtown L.A. show

 

 

Yes, there was a painted elephant in the room. I was one of thousands who toured British street artist Banksy's warehouse show in September 2006. Follows are some samples from that exhibition in honor of the still anonymous artist who is painting the town this week in Los Angeles, in one of the most chronicled Oscar week publicity stunts of all time. The elusive auteur is nominated for directing the documentary "Exit Through the Gift Shop." 

Poster for Banksy's documentary "Exit through the Gift Shop" from Fairfax Ave.

Whoever he is, he's definitely having some fun and has a wicked sense of humor. Banksy's website chronicles his official works. Good luck at the Academy Awards. Bravo!

Love the Banksy shop.